M3GAN 2.0
M3GAN 2.0 / Directed by Gerard Johnstone / Produced by Jason Blum, Adam Hendricks, Judson Scott / Blumhouse Productions / Universal Pictures / *in post production
DAY SHIFT
DAY SHIFT / directed by JJ Perry / produced by Yvette Yates Reddick, Shaun Reddick, Chad Stahelski, Jason Spitz / Netflix Productions Shot on RED Monstro with Zeiss Supreme lenses
SERIOUSLY RED
SERIOUSLY RED / directed by Gracie Otto / produced by Jessica Carrera, Robyn Kershaw, Tim White, Sonia Borella / Dollhouse Pictures / Village Roadshow SXSW Film Festival, Sydney Film Festival, Melbourne International Film Festival / Shot on Sony Venice with Zeiss Supreme lenses
BARB AND STAR GO TO VISTA DEL MAR
BARB AND STAR GO TO VISTA DEL MAR / Directed by Josh Greenbaum / Produced by Jonathan McCoy, Margot Hand, Adam McKay / Gloria Sanchez Productions / Lionsgate WINNER ACS Silver Award / Shot on Sony Venice with Cooke Anamorphic lenses
GET OUT
GET OUT / written and directed by Jordan Peele / produced by Jason Blum, Marcei Brown, Sean McKittrick / Blumhouse / Universal Pictures, 2017
#1 at US Box Office
$256m Worldwide Box Office
Nominated for four Academy Awards
Winner Oscar for Best Original Screenplay
Winner ACS SILVER Award for Cinematography 2017
Shot on ARRI Alexa Mini with Angenieux Optimo Zoom lenses
DEAD TO ME - SEASON 2
Dead To Me - Season 2 / Created by Liz Feldman / Produced by CBS Television for Netflix, 10 x half hour series / Released on Netflix on May 8, 2020 / Shot on Sony Venice 6K with Cooke S7/i lenses
HAPPY DEATH DAY
Happy Death Day
Directed by Christopher Landon
Universal Pictures 2017
#1 at US Box Office
$126m Worldwide Box Office
Winner ACS SILVER Award 2018
Shot on ARRI Alexa Mini with Angenieux Optimo Zoom lenses
THE DIRT
The Dirt
A Netflix Film
Directed by Jeff Tremaine
Produced by Julie Yorn, Erik Olsen, Ben Ormand
Shot on the RED Monstro camera with Hawk V-lite anamorphic lenses
Released on Netflix worldwide on March 22, 2019
INSIDIOUS: THE LAST KEY
Insidious The Last Key
Directed by Adam Robitel
Universal Pictures / Blumhouse Productions 2018
#2 at US Box Office
$168m Worldwide Box Office
Winner ACS GOLD Award 2018
Shot on ARRI Alexa Mini with Angenieux Optimo Zoom lenses
BENEATH HILL 60
Beneath Hill 60
Directed by Jeremy Sims
Paramount Pictures 2010
Nominated for AFI (AACTA) Award for Best Cinematography 2010
Winner ACS Gold Award 2010
Shot on Super 35mm Film with Cooke S4 lenses
ROLLER DREAMS
Roller Dreams
Directed by Kate Hickey
Screen Australia 2017
LA Film Fest 2017
Shot on Canon C300 with Canon lenses
33 POSTCARDS
33 Postcards / Directed by Pauline Chan / Screen Australia / Shot on RED ONE MX with Cooke S4 lenses
BEACONSFIELD
Beaconsfield
TV Movie for Nine Network Australia
Directed by Glendyn Ivin
Winner Best In Show ACS Awards 2012
Winner Award of Distinction ACS National Awards 2013 / Shot on ARRI Alexa with ARRI Master Prime lenses