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David Stratton - Seriously Red
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British Cinematographer - Barb and Star
"It's great doing different genres, where you get the opportunity" to try different visual styles.
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Polygon - Barb and Star Review
"Wiig and Mumulo have created a movie that’s totally them, and everything from the pastel production design to the punctuating camerawork is on their oddball wavelength."
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Cooke Ad
Full page testimonial in American Cinematographer May 2021 issue for Cooke Anamorphic lenses on Barb and Star.
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EMPIRE MAGAZINE - The Sunken Place
GET OUT filmmakers discuss the creation of the 'Sunken Place' sequence, with Toby Oliver, Jordan Peele, Rusty Smith (Production Designer), Gregory Plotkin (Editor), Sean McKittrick (Producer)
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VARIETY - 10 Cinematographers To Watch
Toby Named as one of 10 Cinematographers to Watch in 2017
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ARRI supports WILDLING
The fantasy-horror-thriller feature WILDLING is the first production to be released with the support of ARRI´s International Support Program.
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Screen Daily
"Technical credits are solid, corralling Wolf Creek 2’s DoP Toby Oliver and Get Out’s editor Gregory Plotkin into a number of striking shots and transitions in an image-heavy effort"
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NY MAGAZINE - Get Out
NY Magazine article on the making of GET OUT with interviews with the filmmakers
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Vanity Fair
"Working with cinematographer Toby Oliver, Peele creates images that are beautiful and terrifying"
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The New Yorker
“Peele’s perfectly tuned cast and deft camera work...with his first film, he’s already an American Buñuel.”
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Vanyaland
"Australian cinematographer Toby Oliver shoots the film with intense close-ups and a beautifully muted color pallette, and gives the film a visual style essential to its success."
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Rolling Stone
"Scares meet racially charged satire in instant horror classic; A jolt-a-minute horroshow laced with racial tension and stinging satirical wit. How is one movie all that?"
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Variety
“What a watershed feat Peele has pulled off, delivering such a gloriously twisted thriller that simultaneously has so much to say about the state of affairs in post-Obama America.”
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RogerEbert.com
“he proves to be a strong visual artist as a director, finding unique ways to tell a story that goes increasingly off the rails - Peele displays a skill with horror action that I didn’t know he had.”