Barb and Star Go To Vista Del Mar
Barb and Star / Directed by Josh Greenbaum / Gary Sanchez Productions and Lionsgate / Awaiting release July 2021. / Shot on Sony Venice with Cooke Anamorphic/i lenses
2020
Fantasy Island
Fantasy Island - A Blumhouse Production / Directed by Jeff Wadlow / Produced by Jason Blum, Robin Fisichella / A Sony Pictures Release / Shot on ARRI Alexa Mini with Panavision Anamorphic lenses
2020
The Dirt
The Dirt A Netflix Film Directed by Jeff Tremaine Produced by Julie Yorn, Erik Olsen, Ben Ormand Shot on the RED Monstro camera with Hawk V-lite anamorphic lenses Released on Netflix worldwide on March 22, 2019
2019
Happy Death Day 2U
Happy Death Day 2U Directed by Christopher Landon Blumhouse / Universal Pictures, 2019 Shot on ARRI Alexa Mini with Angenieux Optimo zoom lenses and Cooke S4 lenses
2018
Get Out
Get Out Written and Directed by Jordan Peele Blumhouse / Universal Pictures, 2017 #1 at US Box Office $256m Worldwide Box Office Nominated for four Academy Awards Winner Oscar for Best Original Screenplay Winner ACS SILVER Award for Cinematography 2017 Shot on ARRI Alexa Mini with Angenieux Optimo Zoom lenses
2017
Wildling
Wildling Written and directed by Fritz Bohm Maven Pictures, IM Global SXSW Film Festival 2018 Shot on ARRI Alexa Mini with B&L Super Baltar vintage lenses
2018
Happy Death Day
Happy Death Day Directed by Christopher Landon Universal Pictures 2017 #1 at US Box Office $123m Worldwide Box Office Winner ACS SILVER Award 2018 Shot on ARRI Alexa Mini with Angenieux Optimo Zoom lenses
2017
Insidious The Last Key
Insidious The Last Key Directed by Adam Robitel Universal Pictures / Blumhouse Productions 2018 #2 at US Box Office $168m Worldwide Box Office Winner ACS GOLD Award 2018 Shot on ARRI Alexa Mini with Angenieux Optimo Zoom lenses
2018
Breaking In
Breaking In Universal Pictures 2018 Directed by James McTiegue #3 at the US Box Office $49m Worldwide Box Office Shot on ARRI Alexa Mini with Cooke Anamorphic SF lenses
2018
Beneath Hill 60
Beneath Hill 60 Directed by Jeremy Sims Paramount Pictures 2010 Nominated for AFI (AACTA) Award for Best Cinematography 2010 Winner ACS Gold Award 2010 Shot on Super 35mm Film with Cooke S4 lenses
2010
The Darkness
The Darkness Directed by Greg McLean Universal Pictures 2015 Winner ACS BRONZE Award 2017 Shot on ARRI Alexa Plus with vintage Kowa Anamorphic lenses
2015
33 Postcards
33 Postcards Directed by Pauline Chan Screen Australia 2011 Shot on Red One MX with Cooke S4 lenses
2011
Wolf Creek 2
Wolf Creek 2 Directed by Greg McLean Screen Australia 2013 Winner ACS Gold Award 2014 Shot on ARRI Alexa Plus with Hawk Anamorphic lenses
2013
Tom White
Tom White Directed by Alkinos Tsilimidos Film Finance Corporation 2004 Winner ACS Golden Tripod Award 2005 Nominated for AFI (AACTA) Award for Best Cinematography 2005 Shot on Super 35mm Film with Zeiss Ultra Prime lenses
2004
The Combination
The Combination Directed by David Field See Thru Films 2008 Shot on Red One with Zeiss Ultra Prime lenses
2008
Roller Dreams
Roller Dreams Directed by Kate Hickey Screen Australia 2017 LA Film Fest 2017 Shot on Canon C300 with Canon lenses
2017
Forbidden Lies
Forbidden Lies Directed by Anna Broinowski Palace Films 2007 Shot on Panasonic Varicam
2007
Last Train To Freo
Last Train To Freo Directed by Jeremy Sims Dendy Films 2006 Shot on Sony HDCAM F900 with Zeiss DigiPrime lenses
2006
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