Barb and Star Go To Vista Del Mar
Barb and Star / Directed by Josh Greenbaum / Gary Sanchez Productions and Lionsgate / Awaiting release July 2020. / Shot on Sony Venice with Cooke Anamorphic/i lenses
2020
Fantasy Island
Fantasy Island - A Blumhouse Production / Directed by Jeff Wadlow / Produced by Jason Blum, Robin Fisichella / A Sony Pictures Release / Shot on ARRI Alexa Mini with Panavision Anamorphic lenses
2020
The Dirt
The Dirt
A Netflix Film
Directed by Jeff Tremaine
Produced by Julie Yorn, Erik Olsen, Ben Ormand
Shot on the RED Monstro camera with Hawk V-lite anamorphic lenses
Released on Netflix worldwide on March 22, 2019
2019
Happy Death Day 2U
Happy Death Day 2U
Directed by Christopher Landon
Blumhouse / Universal Pictures, 2019
Shot on ARRI Alexa Mini with Angenieux Optimo zoom lenses and Cooke S4 lenses
2018
Get Out
Get Out
Written and Directed by Jordan Peele
Blumhouse / Universal Pictures, 2017
#1 at US Box Office
$256m Worldwide Box Office
Nominated for four Academy Awards
Winner Oscar for Best Original Screenplay
Winner ACS SILVER Award for Cinematography 2017
Shot on ARRI Alexa Mini with Angenieux Optimo Zoom lenses
2017
Wildling
Wildling
Written and directed by Fritz Bohm
Maven Pictures, IM Global
SXSW Film Festival 2018
Shot on ARRI Alexa Mini with B&L Super Baltar vintage lenses
2018
Happy Death Day
Happy Death Day
Directed by Christopher Landon
Universal Pictures 2017
#1 at US Box Office
$123m Worldwide Box Office
Winner ACS SILVER Award 2018
Shot on ARRI Alexa Mini with Angenieux Optimo Zoom lenses
2017
Insidious The Last Key
Insidious The Last Key
Directed by Adam Robitel
Universal Pictures / Blumhouse Productions 2018
#2 at US Box Office
$168m Worldwide Box Office
Winner ACS GOLD Award 2018
Shot on ARRI Alexa Mini with Angenieux Optimo Zoom lenses
2018
Breaking In
Breaking In
Universal Pictures 2018
Directed by James McTiegue
#3 at the US Box Office
$49m Worldwide Box Office
Shot on ARRI Alexa Mini with Cooke Anamorphic SF lenses
2018
Beneath Hill 60
Beneath Hill 60
Directed by Jeremy Sims
Paramount Pictures 2010
Nominated for AFI (AACTA) Award for Best Cinematography 2010
Winner ACS Gold Award 2010
Shot on Super 35mm Film with Cooke S4 lenses
2010
The Darkness
The Darkness
Directed by Greg McLean
Universal Pictures 2015
Winner ACS BRONZE Award 2017
Shot on ARRI Alexa Plus with vintage Kowa Anamorphic lenses
2015
33 Postcards
33 Postcards
Directed by Pauline Chan
Screen Australia 2011
Shot on Red One MX with Cooke S4 lenses
2011
Wolf Creek 2
Wolf Creek 2
Directed by Greg McLean
Screen Australia 2013
Winner ACS Gold Award 2014
Shot on ARRI Alexa Plus with Hawk Anamorphic lenses
2013
Tom White
Tom White
Directed by Alkinos Tsilimidos
Film Finance Corporation 2004
Winner ACS Golden Tripod Award 2005
Nominated for AFI (AACTA) Award for Best Cinematography 2005
Shot on Super 35mm Film with Zeiss Ultra Prime lenses
2004
The Combination
The Combination
Directed by David Field
See Thru Films 2008
Shot on Red One with Zeiss Ultra Prime lenses
2008
Roller Dreams
Roller Dreams
Directed by Kate Hickey
Screen Australia 2017
LA Film Fest 2017
Shot on Canon C300 with Canon lenses
2017
Forbidden Lies
Forbidden Lies
Directed by Anna Broinowski
Palace Films 2007
Shot on Panasonic Varicam
2007
Last Train To Freo
Last Train To Freo
Directed by Jeremy Sims
Dendy Films 2006
Shot on Sony HDCAM F900 with Zeiss DigiPrime lenses
2006