APPLE CIDER VINEGAR - 6 part Limited Series / A Netflix Production with See-Saw Films / Directed by Jeffrey Walker / Created by Samantha Strauss / Producers Liz Watts, Emile Sherman, Louise Gough / Shot on ARRI Alexa 35 & RED Raptor with Angenieux Optimo zoom lenses

M3GAN 2.0 / Directed by Gerard Johnstone / Produced by Jason Blum, Adam Hendricks, Judson Scott / Blumhouse Productions / Universal Pictures / *in post production

DAY SHIFT / directed by JJ Perry / produced by Yvette Yates Reddick, Shaun Reddick, Chad Stahelski, Jason Spitz / Netflix Productions Shot on RED Monstro with Zeiss Supreme lenses

SERIOUSLY RED / directed by Gracie Otto / produced by Jessica Carrera, Robyn Kershaw, Tim White, Sonia Borella / Dollhouse Pictures / Village Roadshow SXSW Film Festival, Sydney Film Festival, Melbourne International Film Festival / Shot on Sony Venice with Zeiss Supreme lenses

BARB AND STAR GO TO VISTA DEL MAR / Directed by Josh Greenbaum / Produced by Jonathan McCoy, Margot Hand, Adam McKay / Gloria Sanchez Productions / Lionsgate WINNER ACS Silver Award / Shot on Sony Venice with Cooke Anamorphic lenses

GET OUT / written and directed by Jordan Peele / produced by Jason Blum, Marcei Brown, Sean McKittrick / Blumhouse / Universal Pictures, 2017 #1 at US Box Office $256m Worldwide Box Office Nominated for four Academy Awards Winner Oscar for Best Original Screenplay Winner ACS SILVER Award for Cinematography 2017 Shot on ARRI Alexa Mini with Angenieux Optimo Zoom lenses

Dead To Me - Season 2 / Created by Liz Feldman / Produced by CBS Television for Netflix, 10 x half hour series / Released on Netflix on May 8, 2020 / Shot on Sony Venice 6K with Cooke S7/i lenses

Happy Death Day Directed by Christopher Landon Universal Pictures 2017 #1 at US Box Office $126m Worldwide Box Office Winner ACS SILVER Award 2018 Shot on ARRI Alexa Mini with Angenieux Optimo Zoom lenses

The Dirt A Netflix Film Directed by Jeff Tremaine Produced by Julie Yorn, Erik Olsen, Ben Ormand Shot on the RED Monstro camera with Hawk V-lite anamorphic lenses Released on Netflix worldwide on March 22, 2019

Insidious The Last Key Directed by Adam Robitel Universal Pictures / Blumhouse Productions 2018 #2 at US Box Office $168m Worldwide Box Office Winner ACS GOLD Award 2018 Shot on ARRI Alexa Mini with Angenieux Optimo Zoom lenses

Beneath Hill 60 Directed by Jeremy Sims Paramount Pictures 2010 Nominated for AFI (AACTA) Award for Best Cinematography 2010 Winner ACS Gold Award 2010 Shot on Super 35mm Film with Cooke S4 lenses

Roller Dreams Directed by Kate Hickey Screen Australia 2017 LA Film Fest 2017 Shot on Canon C300 with Canon lenses

33 Postcards / Directed by Pauline Chan / Screen Australia / Shot on RED ONE MX with Cooke S4 lenses

Beaconsfield TV Movie for Nine Network Australia Directed by Glendyn Ivin Winner Best In Show ACS Awards 2012 Winner Award of Distinction ACS National Awards 2013 / Shot on ARRI Alexa with ARRI Master Prime lenses